New productions of Shakespeare’s “Richard II,” Annie Ernaux’s “The Years,” Robert Icke’s “Manhunt,” Tennessee Williams’s “The ...

In Courtney Stephens and Callie Hernandez’s dizzying docu-fiction, an Edenic landscape becomes a backdrop for duplicity and ...

Also: Adam Gopnik on where to eat near the Frick; Sondheim and Chekhov, Marisa Tomei and Lucas Hedges on stage; the kinetic ...

In the ruins of a health-care system, many medical facilities have become graveyards. Doctors continue to deliver lifesaving care—but they risk their own lives in the process.

From the daily newsletter: as the Administration flirts with contempt of court, two federal judges are trying to uphold the ...

Follow @newyorkercartoons on Instagram and sign up for the Daily Humor newsletter for more funny stuff.

Ryan Coogler’s vampire movie mines vampirism’s symbolic potential to tell a tale of exploitation and Black music in ...

A professor at M.I.T. on how Xi Jinping is likely to respond to U.S. tariffs and why the standoff won’t weaken the Chinese ...

New productions of Shakespeare’s “Richard II,” Annie Ernaux’s “The Years,” Robert Icke’s “Manhunt,” Tennessee Williams’s “The ...

You are all magnetic and user-centric examples of how, when we benchmark blue-sky thinking, even in a pre-tax, ...

From the daily newsletter: recession indicators are everywhere; and why the Supreme Court misunderstands Trump.

The philosopher and biographer analyzes works of life-writing that straddle fact and fiction, and what makes them art.